How is sony dsc hx100v

This is because the camera works by quickly capturing two images from a single lens and then combines them with a blurring technique. The simple reason is that with the camera moving position and taking multiple images it can combine a more realistic and convincing solution with more pronounced depth.

Burst shooting means the HXV can reel off 10 frames in a single second 10fps and it only takes a matter of seconds for the files to be saved.

Bracketing is also possible for exposure or white balance for a trio of exposures. During capture the mode allows for real-time exposure compensation adjustment, but otherwise manual controls are restricted. Full time autofocus does a very good job of sliding elegantly between subjects and the lens can be used to zoom in and out during recording.

As seems to be the trend of late, image sensors continue to cram lots of megapixels onto their relatively small forms. The Sony HXV is no exception, with a hefty The wiring has been moved to the back for a back-lit construction to help light pass directly. Indeed it can hinder it by preventing a good amount of light from being able to reach each sensor node.

However colour noise is seldom an issue due to well-performing image noise reduction. Whether using natural or artificial light, exposures came across balanced and of realistic colour. The HXV is exactly this. If the sensor was physically any larger then so too would the camera body in order to accommodate the optics able enough to provide the necessary light circle for the sensor.

So little could change as far as the HXV is concerned — but if that sensor was a 10MP or 12MP version it most likely would have produced better results still. However, that price point is similar to an entry-level DSLR. In terms of performance the Sony HXV is king of the superzooms: its close-up focusing and nippy autofocus will do you proud in all manner of scenarios.

Exposure and colour are both good, ensuring images will be pleasing for a variety of uses. Half the battle is getting the shot though, especially when zoomed in to the massive top-end mm equiv that the HXV offers.

You can playback a grouped burst of images at a speed that simulates a movie and view the Sweep Panorama shots and movie footage recorded with the camera. Captured 3D images can be played back on the camera and viewed stereoscopically with the Sweep Multi Angle mode.

You simply press the playback button, select an image for viewing in Sweep Multi Angle mode and press the OK button in the centre of the arrow pad.

Tilting the camera to the right or left simulates 3D playback. Better results are obtained when 3D images are viewed on 3D TV sets or monitors. An HDMI cable is required for this capability. This quirk was confirmed by a reader who expressed interest in the camera and pushed us to seek one to review.

The restriction in S mode is counter-intuitive since the shutter priority mode is often used to control the way motion is rendered and very small apertures are often required for maximum depth of field in shots. Test shots taken with the review camera appeared sharp but revealed the boosted saturation levels that have been common in small-sensor digicams for many years.

Colour accuracy was compromised by variability in saturation with different hues. Imatest confirmed our subjective assessments and showed distinctive shifts in yellows, greens and dark skin hues. Pale skin hues were close to the mark. Resolution was below expectations for a megapixel camera in our Imatest tests. We found a much closer correspondence between centre and edge resolution than we found with the HX1 we tested, indicating a superior lens in the new camera.

The graph below shows the results of our tests. Resolution declined progressively as sensitivity levels were increased but, unlike the HX1, we found no significant fall-off at the ISO setting. The graph below shows the results of our Imatest tests.

Lateral chromatic aberration ranged between low and negligible, as shown in the graph below. Some softening was also evident in the ISO shots — and also in flash shots at this sensitivity setting. Flash performance was generally good, with the test camera producing evenly-exposed flash shots from ISO to ISO Noise levels were noticeably lower than those in shots taken with the HX1, particularly at the highest sensitivity settings.

We found no evidence of vignetting and very little rectilinear distortion throughout the focal length range of the lens. Bokeh was also quite attractive with wide aperture settings at longer focal lengths, although you need to watch out for bright highlights in the background as they can become quite prominent.

Close-up shots taken with the lens zoomed in to mm showing how bright highlights can create distractions in an otherwise nicely blurred background. Video quality was very good for all quality settings including VGA , although contrast levels tended to be quite high, leading to blown-out highlights with many subjects.

The image stabilisation system was effective for shooting stills as well as for movie capture. However, unless light levels were relatively high, it could be a challenge to hand-hold the camera for shooting movies at focal lengths longer than about 20mm.

The stereo soundtrack was also quite good for the size and position of the on-board microphones. HXV vs H HXV vs B HXV vs FZ HXV vs G3X. HXV vs SX HXV vs P HXV vs RX HXV Overview. Navigate Review Jump to review page Buy the Sony HXV.

Similar to the HXV but smaller lighter larger sensor cheaper But Sony HX Sony H Sony HXV. Intro Quality Samples Verdict. Sony Cyber-shot HXV sample video 1: outdoors, sunny, handheld pan with optical zoom.

Download the original file Registered members of Vimeo only. Sony Cyber-shot HXV sample video 2: outdoors, sunny, tripod pan with optical zoom. Sony Cyber-shot HXV sample video 3: indoors, low-light, handheld pan. Continue: Quality. Pages: 1 2 3 4. Featured Reviews Canon EF 50mm f1.

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